![]() I’ve heard similar rumblings from others, too. Scott Britton says, “Listens on SoundCloud and YouTube are pretty insignificant compared to iTunes.”Įrik Diehn says, “There’s basically Apple and then everybody else.” Nieman Lab claims “70 percent of podcast listening happens through iTunes or the native iOS Podcasts app.” I hadn’t realized just how key iTunes really was! In the process of researching how to promote a podcast, much of the advice kept centering on iTunes as the key channel for growth and attention. ![]() We’ll be sure to report back with what works! The #1 Goal: Do Really Great on iTunes! iTunes is responsible for as much as 70% of a podcast’s listens and downloads Here’s all we found and all that we’re excited to try. So we went to work, researching all the best tips and strategies for getting a podcast seen by as many people as possible, downloaded as many times as possible, and maybe hopefully listed on iTunes’ New and Noteworthy list. How do people promote podcasts? We didn’t know. ![]() … we needed a plan to promote the podcast. We did all the podcast things we were supposed to do in order to make a really great podcast - the interviews, the mixing, the uploading - and now that the time had come to press publish … She is the Artistic Director of Waterwell.Before we launched our Buffer podcast, so much of our time and energy (99.9% of it, I’d wager!) was spent getting the sounds and feel just right. Lee’s work has been presented/developed at Baryshnikov Arts Center, Sundance Theater Lab, BAX, CATCH, LMCC, Robert Wilson’s Watermill Center, and Juilliard among others. She additionally creates original ensemble-devised performance work with CollaborationTown. Wellesley Girl by Brendan Pelsue (Humana Festival) ĭ Deb Debbie Deborah by Jerry Lieblich (Clubbed Thumb). Macbeth (adapted for three women Hudson Valley Shakespeare Festival) Porto by Kate Benson (WP Theater/The Bushwick Starr) Ī Beautiful Day In November On The Banks of the Greatest of the Great Lakes by Kate Benson (OBIE Award WP Theater, New Georges) Īll The Roads Home by Jen Silverman (Cincinnati Playhouse) Home (BAM) Farmhouse/Whorehouse by Suzanne Bocanegra (BAM) īull In a China Shop by Bryna Turner (Lincoln Center/LCT3) Ĭaught by Christopher Chen (The Play Company) Miller, Mississippi by Boo Killebrew (Dallas Theater Center, Long Wharf Theater) Sunday by Jack Thorne (Atlantic Theater Company) The Courtroom (Waterwell NYTimes Best Theater of 2019 List) ![]() Recent stage credits includeĭance Nation by Clare Barron (Playwrights Horizons, OBIE, Lortel Award) Lee Sunday Evans is a New York-based, Obie award-winning director and choreographer. As an Audible commissioned playwright, he received funding and creative support to develop The Podcaster. Playwright Christopher Chen was awarded a commission through the Audible Emerging Playwrights Fund, an initiative dedicated to developing innovative original plays driven by language and voice. Portions of this audiobook contain mature language. It then takes a sharp turn when Sylvia - host of the popular interview program, Art Beat - goes missing and her listeners are left to wonder, is this also an art piece? The journey continues and the mysteries multiply in this mind-bending audio play that investigates the very nature of reality. The play starts with a series of intriguing and seemingly unconnected creative conversations. Who controls our stories? Christopher Chen’s expectation-defying new play takes an unpredictable trip into the ways storytelling can reshape what we believe about ourselves and others.
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